Overhearing Film Music

Overhearing Film MusicThree generations of famous movie soundtrack composers reveal the secrets of their art and success. Beginning with a quick history of film scoring and then taking the reader backstage to interview a dozen major screen composers, Overhearing Film Music represents three generations of movie soundtrack music. Ranging from groundbreaking composers who scored classic 1940s melodramas such as Laura and the Thief of Bagdad, to the jazz influenced modernists

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fragmentary nature of reality and its lack of closure than perhaps anything written before it

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Yet this collection is not nearly as interested in denouncing such portrayals as in examining those films that offer us the opportunity to explore themes and issues from a vantage point outside our usual reference frame

Daniel Georges-Abeyie

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